the VESTIGES Project: TRINITAS
September 1-October 7, 2011
Rebecca Bryan Gallery at Coastal Carolina University in Conway, South Carolina
February 25-April 7, 2012
Contemporary Arts Center, New Orleans, as part of "NOLA NOW Part II"
October 18, 2012
441 Gravier St, New Orleans
The Rebecca Bryan Gallery at Coastal Carolina University in South Carolina invited The VESTIGES Project to mark the 6th Anniversary of the
Katrina floods with an exhibition entitled VESTIGES/TRINITAS. Along with other works by New Orleans artists, the exhibition marks
the premiere of the installation VESTIGES/trinitas, conceived and constructed by Jan Gilbert and Debra Howell of The VESTIGES Project
VESTIGES/trinitas is both a repository and an investigation: of our collective memory and identity; of the influence of our culture on our memories; of the relationship between our memories and our history. We'd like this work to act as a container within which we attach our photos, our memorabilia, our hodgepodge of disparate items we want to mark, to remember, to keep close.
VESTIGES/trinitas is a large format wall installation (approximately 9 feet x 18 feet) comprised of a multitude of reclosable (ziplock) clear plastic bags, containing images, objects and texts submitted by invited artists and writers. The bags are attached to the wall in three sections with a fish scale format, enabling the pieces to be seen both individually and as an integrated part of a larger "image". As visual reference for the installation, VESTIGES/trinitas uses the sky/earth/water trinity of our vanishing wetlands as a metaphor for what's been lost on an individual human scale as well.
Artists were invited to submit (recycle) what they miss, has been lost, or has been damaged, (physical, emotional, representational, in words, objects, images), to be "preserved" into these sealed 9"x6" ziplock bags. Contents could include pieces of damaged or lost art, books, or other items, and would be hung contiguously if necessary. We asked that whenever possible, their contributions would include clinical documentation: sealed into the bag along with each contribution should be identifying info such as time, place, manner of loss, either written/attached on the flip side or visible from the front. We encouraged as many submissions as they would like, and the results far exceeded our expectations.
Participating Artists and Writers: Monica Koechli Arpin - Jacques Arpin - Alex Baker - Dave Baker - Jacqueline Bishop - Barbara Brainard - Pearl Clark - Andrei Codrescu - Dylan Cruz - Luis Cruz-Azaceta - Lee Diegaard - Karen Oser Edmunds - Michael Fedor - Alan Gerson - Jan Gilbert - Brandon Graving - Maggie Hadleigh-West - Shawn Hall - Rachel Harris-Beck - Debra Howell - Elizabeth Howie - Sharon Jacques - Krista Jurisich - Lori A. Kent - Elizabeth Kleinveld - Mari Kornhauser - Crystal Kile - Frahn Koerner - Susan Loeb - Kevin J. McCaffrey - Page Moran - Darlene Olivo - Mary Jane Parker - Mary Perrin - Francine Prevost - Kathy Randels - Rontherin Ratliff - Laura Richens - Ama Rogan - Ben Schenk - Cynthia Scott - Caroline Senter - Mary Sherman - Maxx Sizeler - Jamuna Yvette Sirker - Susan Svendsen - Jan Villarrubia - Michele White - Nancy E. Wyllie - Alexis Wreden
conversations salvagedmemories contemporarymemorials bookworks thesubjectiswar
valorizationoftheanonymous worksinprogress journeysanddestinations thinktank enactments lossritualrelic
© 2008 The Vestiges Project.